Theater

Two for the road

Banana Bag & Bodice launch spectacular 'Space//Space' from Brooklyn, final destination unknown

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arts@sfbg.com

THEATER On a warm evening last week in Williamsburg, Brooklyn, Jason Craig and Jessica Jelliffe were milling around the sidewalk outside the Collapsable Hole, a small warehouse performance venue one subway stop from Manhattan, dressed in dark blue one-piece suits, skull caps, heavy-rimmed glasses, and long beards.Read more »

Female trouble

In Berkeley, 'Salomania' and 'Emotional Creature' take on the war on women

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arts@sfbg.com

THEATER We've come a long way, baby, but why does it feel like women's equality is a legal concept that still troubles the status quo? This past year has proven that the erosion of women's rights remains a powerful political agenda across the country, with state bans on certain forms of abortion, the redefinition of rape, and the blocking of the Paycheck Fairness Act.Read more »

Possessions and concessions

Christina Anderson's Good Goods tells a supernatural tale haunted by real world tensions

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arts@sfbg.com

THEATER A general store in a factory town is the deceptively concrete setting for playwright Christina Anderson's purposefully nebulous drama, which conflates a range of 20th century African American experiences in a supernatural tale of characters and a town variously "possessed."Read more »

Theater of the observed

Exhibitionism abounds as spying and lying take a cue from Big Brother in FWD: Life Gone Viral

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C'est si bon

San Francisco's newest theater festival acts locally, connects globally

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arts@sfbg.com

THEATER You could call them a pair of crazy kids with a dream. But two years after Playwrights Foundation executive director Amy Mueller was introduced to Ivan Bertoux, Deputy Cultural Attaché of the French Consulate by Rob Melrose, artistic director of Cutting Ball Theater, their vision of cross-pollinating their respective communities with newly translated theater pieces from either side of the Atlantic has become a reality.Read more »

I'm not there

Iranian playwright Nassim Soleimanpour marks his Bay Area debut — by proxy — in White Rabbit, Red Rabbit at SFIAF

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THEATER Political borders have their way with the bodies of ordinary people, but ideas are harder to stop at an airport or checkpoint. So when Iranian playwright Nassim Soleimanpour found himself unable to leave Iran (having demurred from mandatory military service, the state demurred in providing him a passport), he decided to send on a play that would stand in for him, and maybe stand for something more.Read more »

A dog's life

TheatreWorks revives Of Mice and Men for a new era of desperation and solidarity

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arts@sfbg.com

THEATER There's a clipped Spanish twang in the roughhewn but lucid English of George Milton (Jos Viramontes) and Lennie Small (A.J. Meijer), the iconic bindlestiff protagonists in Of Mice and Men. It's the only obvious bit of updating in TheatreWorks' and artistic director Robert Kelley's generally faithful rendering of the 1937 John Steinbeck classic (a stage adaptation penned by the author himself for a Broadway premiere the same year).Read more »

Bon voyage

At home with the Russians, from Berkeley's Ashby Stage to Moscow's Golden Mask festival

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THEATER Bay Area audiences set off for The Coast of Utopia with Shotgun Players' production of Voyage, the first play in Tom Stoppard's celebrated 2002 trilogy based on the lives and careers of certain radical Russian émigrés in 19th century Europe. Read more »

Alive and kicking

New works by Minna Harri and Christine Bonansea at the Garage

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THEATER Art is a life and death matter at the Garage this weekend, with the premieres of Dead/Alive and No Exit, two new contemporary dance-performance works from Minna Harri Experience Set and Christine Bonansea, respectively.Read more »

Right about now

Custom Made Theatre's Little Brother adapts Cory Doctorow's SF-based teen terrorism tale -- and it's probably the most exciting thing on stage right now

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THEATER It's a rare thing, really too rare, to find an audience eagerly erupting into political discussions between acts of a play. But that's what Little Brother inspires, and in an unaffected way, without pretension or unwelcome goading. It's too cool, confident, and contemporary for that. Read more »