DANCE Liz Tenuto and Justin Morrison — two dancer-choreographers who've made up for their limited time in the Bay Area by being highly, polymorphously productive — share a bill at CounterPULSE this weekend. Tenuto will show a work for three dancers in two parts, the first of which premiered at ODC Theater last December under the title The Darkest Hour Is Just Before Dawn (featuring the trio of Esmeralda Kundanis-Grow, Elizabeth McSurdy, and Rebecca Siegel). Morrison performs in the debut of his new solo work, entitled Weapon.Read more »
THEATER Tom Stoppard is not a playwright who shies away from topics of unusual size. While other writers might confine themselves more narrowly with plumbing the emotional depths of their protagonists, Stoppard further concerns himself with the very workings of the universe they live in, and the machinery of history and the evolution of thought that informs their relationship to it.Read more »
THEATER "Oh, this stupid war. I don't know who to blame anymore, do you?"
So asks aging American divorcée Mary-Ellen (Marcia Pizzo), in 1975 Southern California, of Vietnamese war refugee Bao (Jomar Tagatac), who has lost his entire family back home. It's a fraught question that, maybe fittingly, receives no answer. But it's made all the more complicated and troubling in the Magic Theatre production of Julie Marie Myatt's 2009 comedy-drama, The Happy Ones.Read more »
THEATER Speaking of oneself in the third person is a thing few figures outside of fiction can really pull off. Tarzan and Yoda, fine. Oriana Fallaci — well, in journalist-playwright Lawrence Wright's new two-hander, Fallaci, you could be forgiven for thinking the title character is not that real either.Read more »
THEATER On two old VHS tapes in the collection of San Francisco's Museum of Performance and Design you can watch the Eureka Theater's 1991 world premiere of Tony Kushner's Angels in America, a response to the AIDS epidemic and the reactionary politics of the Reagan era. It's a low-fi document, with poor sound quality, but it's completely riveting. Something more than the play's words and images, as striking as they are, cling to that worn magnetic tape: there's the electric excitement of a work of art cracking open its historical moment.Read more »
THEATER In a deceptively low-key but major theatrical event, Yerba Buena Center for the Arts last weekend presented the local debuts of both the Wooster Group and the New York City Players, in their collaborative take on three of Eugene O'Neill's seafaring "Glencairn plays."Read more »