Theater

The action of bodies in heat

Passion meets intellect in Tom Stoppard's past-and-present tale 'Arcadia'

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arts@sfbg.com

THEATER Tom Stoppard is not a playwright who shies away from topics of unusual size. While other writers might confine themselves more narrowly with plumbing the emotional depths of their protagonists, Stoppard further concerns himself with the very workings of the universe they live in, and the machinery of history and the evolution of thought that informs their relationship to it.Read more »

Tour of duty

Black Watch shows, tells about young men drawn to war

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Take it all off

Brava Theater introduces banned Pakistani political satire 'Burqavaganza' to an American audience

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River phoenix

Campo Santo resurrects its own in Richard Montoya's 'The River'

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Good grief

Julie Marie Myatt recasts 1970s nostalgia for our own bleak times in 'The Happy Ones'

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arts@sfbg.com

THEATER "Oh, this stupid war. I don't know who to blame anymore, do you?"

So asks aging American divorcée Mary-Ellen (Marcia Pizzo), in 1975 Southern California, of Vietnamese war refugee Bao (Jomar Tagatac), who has lost his entire family back home. It's a fraught question that, maybe fittingly, receives no answer. But it's made all the more complicated and troubling in the Magic Theatre production of Julie Marie Myatt's 2009 comedy-drama, The Happy Ones.Read more »

Fallacis and fallacies

Lawrence Wright's new play falls flat at Berkeley Rep

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arts@sfbg.com

THEATER Speaking of oneself in the third person is a thing few figures outside of fiction can really pull off. Tarzan and Yoda, fine. Oriana Fallaci — well, in journalist-playwright Lawrence Wright's new two-hander, Fallaci, you could be forgiven for thinking the title character is not that real either.Read more »

Triggers

George F. Walker's caustic comedy 'Dead Metaphor' brings it all back home

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Angels in Budapest

Hungary's premier stage offers a striking revival of Tony Kushner's groundbreaking play

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arts@sfbg.com

THEATER On two old VHS tapes in the collection of San Francisco's Museum of Performance and Design you can watch the Eureka Theater's 1991 world premiere of Tony Kushner's Angels in America, a response to the AIDS epidemic and the reactionary politics of the Reagan era. It's a low-fi document, with poor sound quality, but it's completely riveting. Something more than the play's words and images, as striking as they are, cling to that worn magnetic tape: there's the electric excitement of a work of art cracking open its historical moment.Read more »

Sort of and last

The Wooster Group and New York City Players make a long overdue Bay Area appearance

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arts@sfbg.com

THEATER In a deceptively low-key but major theatrical event, Yerba Buena Center for the Arts last weekend presented the local debuts of both the Wooster Group and the New York City Players, in their collaborative take on three of Eugene O'Neill's seafaring "Glencairn plays."Read more »

Missing person

'Se Llama Cristina' offers a sentimental story beneath a gritty exterior

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arts@sfbg.com

THEATER A filthy, forlorn world emerges in surreal half-light at the outset of Magic Theater's premiere of Se Llama Cristina, the new play by celebrated San Francisco–based playwright Octavio Solis. But almost as quickly, its initially intriguing outlines begin to look artificial, becoming the bloated lines of caricature more than a poetical evocation of real life, as the sentiment at the heart of this sometimes forceful but finally thin and frustrating play steadily takes over.Read more »