THEATER Alfred Jarry's Ubu Roi is probably better known for its riotous Parisian opening (back in 1896) than for the play itself. The profanity it leveled against the city's crème de la crème, beginning with its famous opening incantation, "Merdre!" — not exactly a word but dirty-sounding enough to precipitate a violent revolt long before the final curtain — broke open the doors of the WC on so-called polite society. As it turned out, no one was really keen or able to close them again.Read more »
THEATER New York early last week was as cold as Muazzez. True, I've never been to Muazzez, but a reputable source called that asteroid "so cold it is a frozen bull roar," which sounds about right.
"They lied to me about the reality of things here on Muazzez," began said source, a nondescript speaker seated at a bare wood desk. "About the foundations of these, their basis, their fundament, the profound bottom of things."
There's a glass of water on the desk, some loose paper.Read more »
THEATER Take away their unconventional looks and odd talents, and the eponymous carnival performers of Freaks — Tod Browning's classic carnie horror movie — were not so unusual. Ordinary folks, for the most part, with ordinary problems and everyday virtues. The title secretly pointed to the monstrous souls of their "normal-looking" but heartless colleagues, corrupt to the point of betrayal and murder.Read more »
YEAR IN THEATER Before the holiday season crushes us in its tinsel-glinted maw and poops us out into 2014, it's time to cast a backward glance and ponder 2013's best moments in theater and performance.
Most satisfyingly enigmatic flights Getting lost can be a good thing. It can concentrate the attention, heighten the senses, activate the imagination, leave room for reflection — and leave something to talk about afterward. This is as true for a visit to the theater as it is for a walk around town.Read more »
THEATER We meet above the waterfall in Yerba Buena Gardens. It's cold, getting dark. Everyone seems relieved to get inside the YBCA theater next door. We'll talk here for the next hour, standing around a worktable with a gold lamé circle spread over it, before the band heads downstairs to a windowless rehearsal space in the deep well of the building.Read more »
THEATER Crowd-pleasing can sometimes sound like a put-down — hey, sometimes it is — but it becomes a virtue in Kneehigh's Tristan & Yseult. The Cornwall-based company (already known locally for Brief Encounter at ACT in 2009 and The Wild Bride at Berkeley Rep last winter) has returned to Berkeley Rep with a remounting of its 2003 hit. And it proves as accomplished and intelligent as it is shamelessly entertaining.Read more »
THEATER Forgetting can be a key to understanding, and to freedom. This is something any jazz musician knows. Learning theory, practicing scales, getting to know your instrument and your craft — it's all prelude to forgetting, to letting go. What comes back to you in the moment, ideally, is deeper than any superficial knowledge. It's everything behind the music — a life.Read more »
Two mothers are coping with grief — and becoming friends — in a room at a Bakersfield community center. Ruth (Nora El Samahy) is still not at the point of speaking the depth of her burden, and instead chirps on about the horror visited on her murdered child with a kind of fierce, enforced casualness, fueled by too much coffee. Mary (Catherine Castellanos), meanwhile, her emotional turmoil welling just beneath the surface, has a stronger bearing — and a peculiar lilt indicative of someone who has only recently heard the sound of her own voice.Read more »