FILM If longer were better, this would be the platinum era of movies. Never before have so many mainstream releases staggered toward or beyond the two-and-a-half-hour mark once reserved for the truly epic — in storytelling breadth, not just in fight scenes, expensive CGI effects, or simple directorial inability to say "when."Read more »
FILM Consider the giants of ho-ho-horror. Bob Clark's Black Christmas (1974) boasted an above-average cast (Olivia Hussey, Margot Kidder, Keir Dullea, John Saxon). Christmas Evil (1980) was dubbed "the greatest Christmas movie ever made" by no less an authority than John Waters, who recorded an audio commentary for its 2006 special-edition DVD.Read more »
FILM El Cajon — between balmy coastal San Diego and arid desert mountains to the east — is just the sort of place where the dream of California living came true for a lot of industrious working-class people in the post-World War II boom years. It's also where their boomer children and generation-next grandkids are currently seeing that dream slowly expire.Read more »
FILM It was strange when Kathleen Hanna — riot grrrl activist, iconic Bikini Kill battle cry leader, electro-popping Le Tigre singer — went silent.
Though she was not entirely absent from the public eye, she did not make any new music or tour for nearly a decade. Beat down by a mysterious illness, she seemingly tumbled into hardcore self-preservation mode, contributing her personal files of zines, show flyers, and lyrics to the "Riot Grrrl Collection" at New York University's Fales Library.Read more »
FILM Paolo Sorrentino has only been directing features for 12 years, so perhaps it's premature to expect a masterpiece from him — although he probably doesn't think so. Amid generally tepid post-millennium Italian cinema, he's been consistently ambitious and bold, from 2001's One Man Up onward. That facility has won a lot of acclaim (most notably for 2008's Il Divo), but also attracted a certain amount of skepticism: Is he more style than substance? What does he have to say?Read more »
Chris Marker did not seem to see a hard distinction between cities and their people. The cat-loving leftist documentarian, whose distinctly poetic outlook we sadly lost last year, is probably best known for his experimental sci-fi short La Jetée (1962) and his ethnography-cum fictionalized-travel-memoir Sans Soleil (1983), film-school favorites both available through the Criterion Collection.Read more »
If something appears too good to be true, the saying goes, it probably is. Take Lance Armstrong, who beat cancer to become a cycling superstar, winning the grueling Tour de France a record seven consecutive times. He vehemently denied using performance-enhancing drugs until January 2013, when he 'fessed up during a tastefully choreographed sit-down with Oprah. By that point, the big reveal wasn't that he'd doped his way to athletic glory — it was that he was finally admitting to it.Read more »