GOLDIES "Anybody want more popcorn? How about coffee?"
Ryan T. Smith is calling out to a packed audience in the oddest-shaped dance studio in San Francisco — long and narrow, like a bowling alley. The occasion is the latest installment in RAWdance's popular bi-annual CONCEPT series, started in 2007 by Smith and partner Wendy Rein in their Duboce Triangle neighborhood.Read more »
GOLDIES Greta Schoenberg founded the San Francisco Dance Film Festival in 2008, but she didn't realize it at the time. It began as "Motion Pictures," a gallery show combining dance photography with screenings of Schoenberg's "screen dance" films — short works she'd made specifically for the camera.Read more »
DANCE Though I missed the beginning of Aszure Barton's gently appealing Awáa — I have trouble with 7:30pm curtains — it was easy to be drawn into her fluidly changing world, in which invisible currents propelled dancers to either give into or work against them. It's an intimate work, rich with evocative details, fabulously danced by six men and Lara Barclay. Much appreciated were Barton's touches of humor, but after a time I longed for a stronger underpinning for all this danced lushness.Read more »
DANCE For its 10th anniversary, the Black Choreographers Festival: Here & Now won't start with its customary lineup of performances, but with a ritual so ingrained that many dancers continue it even after they have retired from the stage. Dancers are obsessed with taking classes. Classes are why they scrape money together. If you're part of a company, classes are a part of your daily routine. If you aren't, you're on your own — and at around $10 or $15 a session, that can quickly add up to a serious amount of cash.Read more »
DANCE Sitting at her large desk overlooking the intersection of Mission and 24th Street, Krissy Keefer speaks eloquently and movingly about the genesis of Hemorrhage: An Ablution of Hope and Despair, the latest work for her 10-woman Dance Brigade Company.Read more »
YEAR IN DANCE This is not 12 Days of Christmas but 12 Months of Dancing. And while there were plenty of lords-a-leaping and ladies dancing (and even a few drummers drumming and pipers piping), there is nothing even remotely accumulative in this annual looking-back at the year that was. Chronology — and what stood out within a particular month because of the generating ideas — and their shape on the stage determined the (sometimes difficult) selection.Read more »
DANCE Conceptual French choreographer Jérôme Bel thrives on conversation. Sometimes, he participates directly, as he did in Pichet Klunchunand Myself, in which he and Thai dancer Klunchun talked on stage. Performed at Yerba Buena Center for the Arts in 2009, the piece enchanted me with its daring theatricality and enraged me with its faux naïveté. Pichet was both sturdy like a rock and evanescent like a passing thought.Read more »