Hilla Medalia and Shosh Shlam's Web Junkie (Israel-China-US) is an eye-opening investigation into China's declared number-one threat against youth: internet addiction. The doc observes as kids are sent (often against their will) to video-game rehab — and the takeaway is that many generation-gapped parents are even more clueless about emotions than their sons.
Twenty years ago, a few filmmakers — including Dan Mirvish, Peter Baxter, and Paul Rachman — rented out a room in a Prospector Square hotel, creating the first Slamdance Film Festival.
Their motivation: "the other film festival in Park City" had perhaps lost some of its independent spirit. Over the years this "little festival that could" has continued to showcase emerging filmmakers. Some of those upstarts have achieved A-list status since their Slamdance debuts: Christopher Nolan (more on him below) and Marc Forster, for example.
Behind the scenes on two photoshoots for the SF Bay Guardian's 25th annual Guardian Outstanding Local Discovery arts awards. Winners Malic Amalya (film) and Brontez Purnell (performance/music) are featured in the video, with photographers Saul Bromberger and Sandra Hoover, who have been photographing Goldies winners for the past 18 years.
Running into Chris Eyre was easily one of the most exciting moments of this year's festival. Following his 1998 Audience Award-winning debut, Smoke Signals, Eyre premiered Skins at Sundance 2002, just a few months after 9/11 — and it still ranks as one of the most memorable cinematic experiences I've ever had.
The current second-generation movement of Native/Indigenous filmmakers took the spotlight at the Sundance Film Festival's celebration of the 20th anniversary of its annual Native Forum.
The event gathered some of the most important figures from around the world to not only screen their most recent films but to share artistic works that inspired them to become filmmakers themselves. Sundance favorite Taika Waitita — a self-proclaimed "Academy Award-losing filmmaker" for his 2005 short Two Cars, One Night, he's best-known for his wonderfully quirky 2007 film Eagle vs. Shark — read a sequence from Andrei Tarkovsky's Stalker (1979), while his vampire comedy What We Do in the Shadows(co-directed with Flight of the Conchords' Jermaine Clement) enraptured Midnight Movie audiences at the 2014 festival.
Last week, Anchor Brewing and Distilling launched an IPA to much fanfare at their Mariposa Street brewery. Initially, one may be surprised that Anchor has joined the frenzy of hoppy West Coast beers. But this is not the first IPA it has released. Originally brewed in 1975, its Liberty Ale was the first IPA to be brewed on the West Coast after Prohibition.
Miss any earlier Sundance coverage? Scroll down right here on Pixel Vision.
Blind(Norway/Netherlands) is the directorial debut of Eskil Vogt, screenwriter of Joachim Trier's Reprise (2006) and Oslo, August 31st (2012). It does not disappoint, and — appropriately enough, considering its writer-director's background — it won the World Cinema Prize for Screenwriting.
She walks the hills of San Francisco with purpose. Her style is classic, a bit androgynous, with flair for edginess. She’s always up for new adventures. She marches to the beat of her own drum. She’s fashion-forward but she values comfort, veering away from the misconception that beauty is pain. She loves rock 'n' roll. She’s a San Francisco chick through and through.
Freda Salvador is the creation of San Francisco residents Cristina Palomo-Nelson and Megan Papay. Combining their mutual obsession for Frida Kalho (“more like her badass persona than her folkloric art”) and Palomo-Nelson’s El Salvadorian origins, the duo created footwear brand Freda Salvador. They launched the company two years ago with the intention of bringing contemporary artisan shoes to Bay Area Fredas.
Tessa Louise-Salame's ode to France's punk-rock filmmaker Mr. leos caraX (France), or simply Mr. X, traces his 30 year career while also showcasing Denis Lavant, who stars in all five of his feature films.