So many new movies this week to choose from, film fans! Better just cancel all your plans, and also any notions you had about eating and sleeping. Read on for our takes on the latest in teen dystopia, the new Anita Hill doc, the latest Muppets caper, and part one of Lars von Trier's sex-addiction saga. AND MORE!
Growing up in San Francisco, I was never sheltered from sexuality. Whether it was the naked runners at Bay to Breakers or the same-sex lovebirds kissing on street corners, there has always been an honest dialogue about love, sex, and gender in my hometown. But that makes it easy to take for granted.Read more »
Last night heralded the opening of the Center for Asian American Media's CAAMFest; it runs through March 23 at the Castro Theatre, 429 Castro, SF; Great Star Theater, 636 Jackson, SF; New Parkway Theater, 474 24th St, Oakl; New People Cinema, 1746 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Sundance Kabuki Cinemas, 1881 Post, SF. For tickets (most shows $12) and complete schedule, visit www.caamedia.org. For commentary, see "The Art of Martial Arts," "Telling Tales, " and "Women With Movie Cameras."
Drop that protractor and grab a fork -- tomorrow is Pi Day (3/14, heh). And for a mere $3.14, you can get a slice of fantastic, and fantastically named, pie, 3:14pm-7pm at Dear Mom, courtesy of a startup pop-up.
Some of these pies on offer are pretty famous, and no I'm not going to make a Piethagorus joke here. Nerd! (Just Euclidding.)
Full crumbly-crusted release, with mouthwatering pieday rundown, after the jump.
Hilla Medalia and Shosh Shlam's Web Junkie (Israel-China-US) is an eye-opening investigation into China's declared number-one threat against youth: internet addiction. The doc observes as kids are sent (often against their will) to video-game rehab — and the takeaway is that many generation-gapped parents are even more clueless about emotions than their sons.
Twenty years ago, a few filmmakers — including Dan Mirvish, Peter Baxter, and Paul Rachman — rented out a room in a Prospector Square hotel, creating the first Slamdance Film Festival.
Their motivation: "the other film festival in Park City" had perhaps lost some of its independent spirit. Over the years this "little festival that could" has continued to showcase emerging filmmakers. Some of those upstarts have achieved A-list status since their Slamdance debuts: Christopher Nolan (more on him below) and Marc Forster, for example.
Behind the scenes on two photoshoots for the SF Bay Guardian's 25th annual Guardian Outstanding Local Discovery arts awards. Winners Malic Amalya (film) and Brontez Purnell (performance/music) are featured in the video, with photographers Saul Bromberger and Sandra Hoover, who have been photographing Goldies winners for the past 18 years.
Running into Chris Eyre was easily one of the most exciting moments of this year's festival. Following his 1998 Audience Award-winning debut, Smoke Signals, Eyre premiered Skins at Sundance 2002, just a few months after 9/11 — and it still ranks as one of the most memorable cinematic experiences I've ever had.
The current second-generation movement of Native/Indigenous filmmakers took the spotlight at the Sundance Film Festival's celebration of the 20th anniversary of its annual Native Forum.
The event gathered some of the most important figures from around the world to not only screen their most recent films but to share artistic works that inspired them to become filmmakers themselves. Sundance favorite Taika Waitita — a self-proclaimed "Academy Award-losing filmmaker" for his 2005 short Two Cars, One Night, he's best-known for his wonderfully quirky 2007 film Eagle vs. Shark — read a sequence from Andrei Tarkovsky's Stalker (1979), while his vampire comedy What We Do in the Shadows(co-directed with Flight of the Conchords' Jermaine Clement) enraptured Midnight Movie audiences at the 2014 festival.