Volume 43, Issue 27
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Volume 43, Issue 27
Top Stories
CAREERS AND ED: Chef Barham isn't easy on his students — but then, it's a harsh world out there
Diana Dunkelberger
Top Stories
CAREERS AND ED: Pole-dancing classes graduate from the stripper cliche
Devyn Ortiz
Top Stories
Food-and-drink spots, deals, events and news
Virginia Miller
Top Stories
Little House demolition stirs fresh controversy between developers and preservationists
Rebecca Bowe
Top Stories
Volume 43, Issue 27
News & Culture
Low-income community groups hope to turn Obama's stimulus package into an opportunity to make local government accountable for creating decent green-collar jobs.
Sarah Phelan
Closed meetings suggest that the BART Board has no understanding of the public anger and impatience with its 17-year record of failing to keep its police force in line
Tim Redmond
Editorial
The Board of Education has to look beyond the TV sound bites that grossly distort the facts
Kim-Shree Maufas
Volume 43, Issue 27
Food & Drink
The Noe Valley spot's nouvelle American menu nods to the traditional while offering excellent modern dishes
Paul Reidinger
Food & Drink
Volume 43, Issue 27
Arts & Culture
Sean McFarland blends photography and collage to picture us
Johnny Ray Huston
Arts & Culture
Avant garde filmmaker and musician Tony Conrad's flickering cinema comes to SFAI
Matt Sussman
Art and horror converge in Brit director Steve McQueen's uncompromising Hunger
Dennis Harvey
All the news that's fit to implant in your Auto-Tune. Plus: Bruce Springsteen, Lily Allen, Ahmad Jamal, and more
Kimberly Chun
Charlie Varon examines Jewish identity in the 21st century in Rabbi Sam
Robert Avila
Arts & Culture
DJ Daddy Huf 'n Pufz is in the nightlife hizz-ouse!!! With Snoop Dogg, Christian Audigier, Samantha Ronson, and Timmy "Turbo Iroq" Nguyen
Joseph
The fullest demonstration of Godard's aim to create a cinema that could take part in the jagged incongruities of modern life
Max Goldberg
Created in 2007 with a zero budget for design, Misuse had an inkling for the rough waters the country was about to enter.
Rita Felciano
Arts & Culture
