The Residents

Christmas in February: The Residents come home

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Bimbo's was packed to the rafters Sunday night for the triumphal homecoming show of music-and-neo-surrealism group the Residents, which was celebrating 40 years of relative obscurity with a blowout tour.

The stage was set with a whimsically unseasonal Christmas theme — huge inflatable candy canes, Santa, and Frosty the Snowman — draped with a hand-lettered banner emblazoned simply with the band name. 

The days of elaborate sets and 16-piece ensembles are over for the Residents, and their current incarnation — a stripped-down trio of masked musicians known simply as “Randy,” “Chuck,” and “Bob” — relies mostly on electronic sampling and assorted effects to create the unsettling soundscapes and dissonant jangles they’ve been (un)known for since their very first public release in 1972 — the “Santa Dog” single.

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Freak show

The Residents talk eyeball masks, $100,000 box sets, and their 40 anniversary tour. Meanwhile, Beak> gets weird(er)

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emilysavage@sfbg.com

TOFU AND WHISKEY As Homer Flynn describes to me the Bay Area musical landscape during the time when iconic, experimental music-arts collective the Residents first rolled into town in 1966, I can't help but picture a tiny gold hammer cracking the earth wide open like it was a piñata, with glitter, powdered wigs, freakish masks, oversized eyeballs, and gingerbread men spewing out in a magnificent tangle.Read more »