Noir

Stony lonesome

'I Wake Up Dreaming' unspools rare, hard-boiled tales

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arts@sfbg.com

FILM Prison should be the most natural setting for film noir, as that's where most of the genre's protagonists are headed (if they don't get bumped off first), and where many of them have already been. But it's had spotty representation onscreen, with time served either skipped over in the narrative (how many pulp fictions start with a hard-luck protagonist just getting out of long-term for what's sure to be short-term freedom?), or dominating entirely.Read more »

Man up

Tough guys rule at "I Wake Up Dreaming 2013" noir film fest

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Darker than dark

'Not Necessarily Noir III' film fest roars into the Roxie

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arts@sfbg.com

FILM It is one of those hard truths one must learn to live with: Quentin Tarantino will always have seen more obscure exploitation movies than you. His new Django Unchained will arrive just in time for Christmas like a gift wrapped severed limb, leaving dedicated fanboy/fangirl types just weeks yet to immerse themselves in the world of spaghetti westerns to which it pays homage.Read more »

Frame missing

The unorthodox visions of "Not Necessarily Noir"

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arts@sfbg.com

FILM Of all Elliot Lavine's noir programs for the Roxie, "Not Necessarily Noir" is both the toughest sell and the most creative from a curatorial perspective. There are two programs in this abbreviated "Not Necessarily Noir" run that should have built-in audiences — a slam dunk Joan Crawford double bill of Johnny Guitar (1954) and Female on the Beach (1955), and a full course of Ed Wood — but the terrifically nervous movies at the start of the series do the most to stake out its intuitive terrain.Read more »