The Mallard

GOLDIES 2012: The Mallard

The band makes "inside-out-echo-laser-garage-psych-rock."

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GOLDIES You always hear of those artists that simply must keep creating, regardless of location, monetary resources, health, or free time. It's the urge, the craving, something deep in the pit of their being. Idle hands and all that. I get the feeling this is just how it is for Greer McGettrick, the Mallard's lead vocalist-guitarist. There's a fire in her belly, and it burns from a sonic tinder.Read more »

Localized Appreesh: The Mallard

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Localized Appreesh is our thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

The Mallard seems to be everywhere right now; opening up shows for Shonen Knife or Hot Snakes, topping MTV Hive's list of “overlooked garage rock albums of 2012.”

Which, yeah. We somehow overlooked the band's record, Yes on Blood (Castle Face Records), at first too. It's a Nuggets-worthy, hair-shaking gem ran through a modern fuzz machine. And live, it's even better. The so-called “inside-out-echo-laser-garage-psych-rock” four-piece takes elements of the past and tweaks them like they're unspooling a tape, letting elements of retro sound slowly drop away and bunch up on the floor. So here we are, jumping on the bandwagon with our tail between our legs, not to mix idioms or whatever. Read more »