Dance

Revisiting the classics

Two veteran choreographers visit the Bay Area with groundbreaking new works

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arts@sfbg.com

DANCE This past weekend two master choreographers, each with more than 30 years experience, still managed to surprise us with fresh goods in their dance bags.

Ohad Naharin's Batsheva Dance Company has a well-deserved reputation for physically lush though highly disciplined choreography. Again presented by San Francisco Performances, Batsheva brought the 2007 Max, whose name may be derived from Naharin's pseudonym of "Maxin Waratt" as the work's composer — or simply is an abbreviation of "maximum." Read more »

In the now

Opening-weekend triumphs at the 2012 Black Choreographers Festival

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DANCE On the opening night of its eighth year, the three-weekend "Black Choreographers Festival: Here and Now" deserved its name. The quality of the choreography and the confident performances more than confirmed that BCF is a celebration of excellent contemporary African American choreography. Four out of the five works starred as fine world premieres by local artists. They were stylistically about as diverse as you would want, but this was an evening to rejoice. The Feb. 10 audience at Oakland's Laney College more than agreed.Read more »

Live Shots: Precious Drop

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The evening's "Precious Drop" dance performance at CounterPulse on Saturday, February 4 was centered around the theme of water -- which is becoming a controversial topic as issues of water rights become more muddled. Most of the dances, performed by Mohamed Lamine Bangoura, the Jaara Dance Project, and Bu Falle African Drum and Dance, focused on celebrating Mami Wata and her fickle ability to pour down from the sky to provide precious drops of life. The choreography onstage mixed traditional and modern moves, performed by talented dancers from across the globe whose smiles filled the space with a joy that you could feel, even sitting in the audience. Read more »

First Lady blues

Paufve Dance reinterprets history in standout So I Married Abraham Lincoln

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arts@sfbg.com

DANCE Randee Paufve's voice is quiet. But once you have heard her speak through her dances, you are unlikely to forget the strength of what she has to say. Her craft is impressive, her topics are many-layered, and the resulting choreography is pared down to its essence. Sometimes, I have even wished for a little more looseness just so I could catch my breath.Read more »

Live Shots: Paufve Dance's So I Married Abraham Lincoln

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This weekend Paufve Dance is winding its way through all the rooms at Dance Mission Theater, making the audience follow, as it performs So I Married Abraham Lincoln. There are only three performances left for the production, so snag those tickets quick before this little gem passes you by. Read more »

In the realms of the unreal

Wim Wenders' stunning Pina pays tribute to acclaimed choreographer Bausch

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FILM/DANCE Watching Pina Bausch's choreography on film should not have been as absorbing and deeply affecting of an experience as it was. Dance on film tends to disappoint — the camera flattens the body and distorts perspective, and you either see too many or not enough details. Avatar (2009) certainly didn't convince me that 3D was the answer.Read more »

Top flight

YEAR IN DANCE 2011: Dancers excelled with exciting new work (and vintage classics), and redefined the concept of "performance space"

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arts@sfbg.com

YEAR IN DANCE If you are a trend spotter, you will have noticed two changes within the local dance ecology that probably will influence how we see dance in the foreseeable future.Read more »

Live Shots: A peep at the upcoming "Revolutionary Nutcracker Sweetie"

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Rehearsal was in full twirl this weekend, as dancers prepared to perform "The Revolutionary Nutcracker Sweetie" at Brava Theater this coming weekend.

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Live Shots: Pilot 59 at ODC Dance Commons, 11/19/11

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After eleven weeks of creating, fine-tuning, and probably lots of serious sweating, six emerging choreographers presented their work this weekend at ODC for Pilot 59 that showed an eager, sold-out audience what they've got. It turns out, that entails quite a bit -- the diversity in dancers and themes was striking. Two pieces especially caught my eye.

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Remembering Pina Bausch onscreen ... and onstage

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One reason I love dance so much is the transcendence I feel when I watch really powerful dance. It is the feeling that somehow the bodies onstage have moved beyond being simple dancers on an elevated platform and are instead communicators of something that can’t be written or painted, but can only be communicated through the medium of physical movement. When I have this feeling I know I will once again be swept up in dance and cry or laugh or simply feel my soul reverberate. 

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