Last year was a momentous one for San Francisco band Girls. Still riding the high from their critically fawned-over and publicly adored sophomore full-length album Father, Son, Holy Ghost, the duo was at the height of its career, playing sold-out shows and reveling in buzz-band glory. Then in July, frontperson Christopher Owens announced via Twitter that he was leaving the band, leaving press and fans alike slack-jawed with surprise.
Owens wasted no time moving into his new career as a solo artist – putting to bed any hopes that Girls’ disbandment was a temporary misstep. This January he released Lysandre, a tight-knight album of autobiographical material from his first tour with a band. It’s a story full of first loves: girls, boys, fellow musicians, and far-off places. He'll perform songs off the album this Sat/23 at the Palace of Fine Arts. Read more »
The show was being filmed for a music video, and the crew told people in the front row that they might get photographed for reaction shots. When I mentioned to the couple next to me that a sure fire way to get on camera was to cry, the apparent director turned around from where he was kneeling near the stage and said, “I’ll pay $500 dollars if you do it,” before adding, “but I think you might cry anyway.” In his first performance since breaking up his former band, Girls, Christopher Owens was set to debut an entire album of new material, and it sounded like a tear-jerker. Read more »
This week in new music explores the depths of an ingenue with a siren attitude, the quiet ranges of Mount Eerie, mom as muse, and more.
Kimbra:Vows (Warner Bros.)
I have three words to say regarding Kimbra's debut album Vows: I like it. The poppier tracks are infectious (backsides and feet are among the first to fall victim) and the slow jams are worthy of a swoon or two.