Rita Felciano

Classical, remixed

Locals innovate at the San Francisco Ballet's New Works Festival
|
(0)

Ten world premieres in three days is a huge deal, even for a troupe as accomplished as the San Francisco Ballet. Even so, it was disappointing that the choreographic choices for the New Works Festivalthe culmination of a season-long celebration of SFB's 75th anniversary — were, for the most part, so extraordinarily conservative. Artistic director Helgi Tomasson has been far more adventurous in the past in challenging audiences and dancers alike. Despite these limitations, the performances were a festive end to an important company milestone. Read more »

Sara Shelton Mann

Examining the relationship between the body dancing and the body politic
|
(0)

PREVIEW Only a few seasons into a more extensive performance schedule, ODC Theater began an extensive remodeling of its well-appointed building on 17th Street at Shotwell — and found itself without a space to showcase its work. What to do? Artistic director Rob Bailis seized the opportunity to move a few blocks up the street to the much beloved but lately much neglected Theater Artaud. For the rest of the year, ODC Theater plans to take advantage of the cavernous space, decent technical equipment, and stadium seating with a series of mini-festivals. Read more »

Bay Area National Dance Week

Ten days of dance madness
|
(0)

PREVIEW Can dance save the world? Those of us who are hooked on it like to think so. At the very least, it makes you feel more alive as a human being. But in the cultural pecking order, dance often gets the short stick: you can't buy or own it, hang it on a wall, or sell thousands of DVDs of it. You pretty much have to depend on bootlegs or YouTube to get your fix. Maybe that's why such fervor surrounds Bay Area National Dance Week and its 10 days of dance madness. Read more »

CubaCaribe Festival

Dancing the diaspora
|
(0)

PREVIEW The CubaCaribe Festival, now in its fourth incarnation, is a three-week celebration of the African diaspora, as manifested in this country, Brazil, Cuba, and Haiti. (Conceivably, as we continue to learn how widespread and diverse African influences are, the festival might well grow to include dance and music from Peru.) Like many other culturally based dance forms, these diverse African influences of the diaspora grow from pockets that develop around specific newcomers to the fertile Bay Area, who bring the seeds of knowledge with them. Read more »

Super "Scales"

African-grounded dance dazzles
|
(0)

> a&eletters@sfbg.com

The words were sometimes garbled, but the body's language was not. Les Écailles de la Mémoire (The Scales of Memory), a fiery collaboration between Senegal's all-male Jant-Bi and Brooklyn's Urban Bush Women, shouted, chanted, and danced about anger, pain, and love, always with an Africa-grounded sensibility.

It's more than slightly ironic that the men of Jant-Bi are more familiar to Bay Area audiences than the all-female Urban Bush Women, who have uncovered African American cultural traditions for more than 20 years. Read more »

Company C

Charles Anderson's company does Twyla, Ravel, and Tom Waits
|
(0)

PREVIEW Good things are happening in the East Bay. One is the Walnut Creek-based Company C, Charles Anderson's 14-member chamber ballet company. In the six short years of its existence, these dancers have created a respectable following. Anderson is a former New York City Ballet dancer whose family runs the well-established Contra Costa Ballet Centre. No doubt this helped the company initially, but today Company C draws good crowds — and not just of the family and friends variety. They take their programs all over the Bay Area and as far north as Santa Rosa and Mendocino. Read more »

Complexions Contemporary Ballet

Alvin Ailey alums finally make Bay Area debut
|
(0)

PREVIEW It's about time. This Saturday, Complexions Contemporary Ballet is finally making its Bay Area debut. The company is 14 and travels all over the globe, from Israel to New Zealand. Founded by former members of Albert Ailey American Dance Theater Dwight Rhoden and Desmond Richardson, the company started out small, primarily with duets Rhoden created for himself and Richardson. In the Bay Area, Rhoden's work has been seen most often during the Ailey company's yearly gigs. Read more »

On the rise

Aura Fischbeck: willing to restrict her movement ideas to shape them better
|
(0)

Aura Fischbeck is one of those dancer-choreographers who blows into town and starts performing with more established colleagues while they create their own choreographies. At first they appear in group shows until they accumulate enough material for their own programs. Fischbeck isn't quite there yet. Read more »

Intercontinental Collaborations 3 -- The Symmetry Project

Examining connection and separation on the most fundamental levels
|
(0)

PREVIEW Have you ever heard of an "inter-corporeal kaleidoscope of flesh?" Neither have I. This intriguing mouthful is one of the labels Jess Curtis has affixed to his latest performance experiments in physicality. Yet for all his theoretical underpinnings, Curtis is a man of the theater. These days the choreographer, who started with Contraband 20 years ago and now lives and works part-time in Berlin, questions the act of performance — what it means to him, and what it means to us. Read more »

"Cariño: Economy of the Heart"

Her voice is soft; her voice is quiet. But she won't go away
|
(0)

PREVIEW There is something to be said for staying put. For one thing, you become part of a community. Anne Bluethenthal may have grown up in Greensboro, N.C. — not the easiest place when she was a kid if you were shy and Jewish — but she has been living and working in the Mission for more than 20 years. In one of her earliest pieces in San Francisco, Fish Can Sing, she paid tribute to Milly, the girl who walked away when the other kids threw stones at her. When Bluethenthal posits that the personal is political, she knows whereof she speaks. Read more »