FILM Clad only in a dingy T-shirt and tighty-whities, with an overgrown beard and a hollow look of defeat in his eyes, shut-in Ian (Adrian DiGiovanni) spends his days channel-surfing and plotting ways to commit suicide. When his beloved vintage TV ("His name was Kent," he tells the camera, in the first of many direct addresses) fizzles, smokes, and goes dark, he finally takes action.Read more »
This week, The Hunger Games: Catching Fire stands poised to crush all who dare step to it, but there are some alternatives out there. There's the San Francsico Film Society's weekend-long Cinema By the Bay festival (my overview here), as well as the latest from acclaimed director Alexander Payne, the small-scale but still very moving Nebraska (Dennis Harvey's review here.)
Plus: a festival favorite from Belgium, and Vince Vaughn's sperm-bank comedy. Reviews for both (plus guaranteed big kahuna Catching Fire) below.
This week, doc lovers are in luck: not only is Chris Marker's seminal 1962 Le Joli Mai making a return to theaters (Sam Stander's take here), but Oscar-winning director Alex Gibney delves into cycling's greatest scandal in The Armstrong Lie (my review here).
If something appears too good to be true, the saying goes, it probably is. Take Lance Armstrong, who beat cancer to become a cycling superstar, winning the grueling Tour de France a record seven consecutive times. He vehemently denied using performance-enhancing drugs until January 2013, when he 'fessed up during a tastefully choreographed sit-down with Oprah. By that point, the big reveal wasn't that he'd doped his way to athletic glory — it was that he was finally admitting to it.Read more »
Two big 'uns this week: blockbuster-to-be Thor: The Dark World(reviewbelow), and the very fine drama Dallas Buyers Club,featuring standout performances by Matthew McConaughey and Jared Leto (Dennis Harvey's review here). If you seek a respite from Hollywood, check out San Francisco's own South Asian International Film Festival (some recommendations from me, here), or read on for more short takes on this week's new offerings.
The movie you need to see this weekend, ASAP, is 12 Years a Slave — one of the most important releases of the year, and a likely contender for all possible awards, including Best Actor and Best Picture. (Review here.) Also new to theaters is the Cannes-winning, controversy-stirring Blue is the Warmest Color. (Review here.)
Read on for more short takes on today's new releases, plus a 1979 cult classic that's ripe for rediscovery. Read more »