FILM Gerald Santana is stoked about his new Vitamix. When we speak, he's juicing up breakfast for himself and his kids as part of their raw-food diet. "Overall, it gives me better mental clarity, a stronger ability to focus, and all of the things that I really need to get my business together."Read more »
This week, Frameline continues (our coverage here!), plus offbeat sci-fi winners Coherence and Snowpiercer are well worth seeking out ... especially if you're not in the mood for more giant robot smash-ups from the Michael Bay factory. Plus: new docs and more! Read on.
December 12, 1993: Mariah Carey, Janet Jackson, and Whitney Houston were owning the American airwaves, but over in London's Hammersmith Apollo, a different soaring voice — one that veered more toward doom than bubblegum — was showing how it's really done.Dio: Live in London Hammersmith Apollo 1993 (Eagle Rock Entertainment) captures Ronnie James Dio (with band: drummer Vinny Appice, bassist Jeff Pilson, guitarist Tracy G, and keyboard player Scott Warren ... Read more »
Dateline: San Francisco. Distressing news, via Facebook, on the "all the cool shit is in danger" front, with a post late Fri/20 by Valencia Street stalwart Lost Weekend Video:
"Times are tough at Lost Weekend Video! We’ve seen business suddenly drop by 30 percent just in the last few months, on top of the 60 percent hit we’ve already taken over the last few years. This has thrown us into pretty immediate crisis. We’d been working with an architect and the City to open a larger version of the Cinecave [Lost Weekend's basement screening room/performance venue] in the back half of the main space upstairs, but have found that it’s impossible due to a combination of the layout of the building and Valencia Street business restrictions. That has left us pretty much out of options."
Frameline 38, the San Francisco International LGBT Film Festival, kicked off last night and runs through June 29; check out our big list o' blurbs right here. Elsewhere, Clint Eastwood directs a musical, Guy Pearce prowls the outback, a very good suburban noir emerges from the Netherlands, a documentary takes on the cost of higher education, and more! Read on for the goods (and bads).
The backstage musical that turned the story of Frankie Valli and the Four Seasons — known for 1960s doo-wop ditties like "Sherry," "Big Girls Don't Cry," "Walk Like a Man," and a zillion more; you will recognize all of them — into Broadway gold ascends to the big screen Fri/20 thanks to director Clint Eastwood, a seemingly odd choice until you consider Eastwood's own well-documented love of music.
Jersey Boys weaves a predictable tale of show biz dreams realized and then nearly dashed, with a gangster element that allows for some Goodfellas-lite action (a pre-fame Joe Pesci is a character here; he was actually from the same 'hood, and was instrumental in the group's formation). With songs recorded live on-set, à la 2012's Les Misérables, there's some spark to the musical numbers, but Eastwood's direction is more solid than spontaneous, with zero surprises (even the big finale, clearly an attempt at a fizzy, feel-good farewell, seems familiar).
Still, the cast — including 2006 Tony winner John Lloyd Young as Valli, and Christopher Walken as a sympathetic mobster — is likable, with Young in particular turning in a textured performance that speaks to his years of experience with the role. I spoke with Young, Michael Lomenda (who plays original Four Season Nick Massi), and Erich Bergen (as Bob Gaudio, the member who wrote most of the group's hits) when the trio made a recent visit to San Francisco to promote the movie.
LIT Andy Hall was five years old in 1967, a kid living at the base of Denali, North America's tallest peak. His father, a National Park Service veteran, took a job overseeing Mount McKinley National Park (as it was then called) just months before a climbing party known as the Wilcox Expedition encountered a freak storm near the summit. Seven of its 12 members died in one of the mountain's most enduring tragedies.Read more »