Nordic track

SFIFF offers an all-too-rare opportunity to appreciate Finnish cinema

|
(0)
Eight Deadly Shots
PHOTO COURTESY OF THE SAN FRANCISCO FILM SOCIETY

arts@sfbg.com

SFIFF "The greatest Finnish movie ever made" — drop that phrase on someone (at least a non-Finn) and they will most likely make some crack suggesting there can't possibly be enough of them for the distinction to matter. But Finland has had a rich and idiosyncratic filmmaking history stretching back to 1907. It hardly begins and ends with Aki Kaurismäki, the droll minimalist who was the first (and still only) Finnish director to regularly win international distribution.

Evidence of that isn't so easy to find, or especially to watch, however. When a few years ago the Pacific Film Archive hosted a retrospective of fascinating 1930s-40s melodramas by Teuvo Tulio, it was like finding a time capsule left by a forgotten civilization — contents strange, exotic, and sort of wonderful. One yearned for more. But chances to see classic Finnish cinema haven't exactly flourished since.

So it's no great surprise that "the greatest Finnish movie" — so say many folk, including Kaurismäki — should turn out to be one that you've very likely never heard of. Mikko Niskanen's Eight Deadly Shots, which the San Francisco International Film Festival is showing in conjunction with Finnish film scholar-director-programmer Peter von Bagh's receipt of this year's Mel Novikoff Award, is a five-and-one-quarter-hour rural tragedy starring Niskanen himself as a poor farmer doomed by both self-destruction and a ruthless social system. It's not an "epic" in the usual sense of narrative expansiveness. Rather, it's an intimate, deliberately rough-hewn drama that simply takes a very long—but never dull—time to run its course. The SFIFF catalog aptly compares it to Zola. A modern literary comparison would be to the Canadian novelist David Adams Richards, whose bucolic New Brunswick characters likewise stumble drunkenly from one bad decision to another, hemmed in by poverty and despair, yet ultimately achieving a kind of grandeur in their haplessness.

Niskanen was himself from a poor rural background, and such a handful that his father threw him out at age 13. Nonetheless he retained a strong connection to the culture of small farms that typified Finnish life in his youth but was nearly extinct by his death at age 61 in 1990.

Growing into strapping adulthood, he had some success as a 1950s stage and film actor. A man prone to have a hand in everything, he naturally progressed to operating behind as well as in front of the camera. His 1962 feature directorial debut The Boys was widely praised, and commenced a pattern in which his projects almost invariably (even when they were based on someone else's life or fiction) contained elements of autobiography: in this case portraying a childhood lived partly under wartime privations.

Youth and country life were two of his major ongoing themes. They reached their combined popular apex in his 1967 Skin, Skin, whose sexy young protagonists on rural holiday reflected the era's rapidly evolving mores to unprecedented box-office success.

Very different was Eight Deadly Shots, directly drawn from a true crime: After serial scrapes with the law (mostly over his illegal brewing of moonshine), an impoverished small farmer had a standoff in which he shot to death several police officers before turning himself in. Niskanen poured a great deal of himself into the story, supposedly going a bit berserk for real when the climactic sequences were filmed.

Comments

Post new comment

The content of this field is kept private and will not be shown publicly.

Related articles

  • Screening is believing

    Five must-see documentaries at the huge San Francisco International Film Festival. Plus: Rare Finnish movies and a ton of SFIFF previews.

  • Short takes: SFIFF week one

    You're Next, Rosie, The Kill Team, The Patience Stone, and more reviews of film fest features

  • This stuff'll kill ya

    Feed your genre needs at Another Hole in the Head

  • Also from this author

  • Lost in space

    A new doc reveals 'the greatest film never made'

  • Smotherly love

    The twisted family dynamics of Romanian film 'Child's Pose' -- complete with its very own, original, terrifying monster

  • Sturm und drang

    German mini-series 'Generation War' offers a sudsy look back at WWII

  • Also in this section

  • Shooting straight

    An actor prepares for several comebacks in 'Elaine Stritch: Shoot Me'

  • Telling tales

    Diverse stories take to the screen in CAAMFest's documentary competition

  • Women with movie cameras

    Cheers to CAAMFest's crop of female Asian American film directors