Killdatmuthafucka") and his postmodern (or post-boogie) approach to early-'80s computer funk. He weaves dense instrumentals that sprawl for up to eight minutes, but tosses in enough slight chord changes to maintain interest. And unlike his boogie-funk predecessors, who maddeningly flitted between brilliant dance floor ragers and sappy slow dance ballads, he sticks to a certain tempo and mines it.
At two-and-a-half-hours and two CDs long, Toeachizown is remarkably inventive. Its spacey, bedazzled vibe rarely changes, but it doesn't bore, either; it's like a lovely waltz. On "Keep Lookin' 2 The Sky," Dam-Funk uses audioprocessing to chant over ascendant synth lines, creating visions of a computer-manned rocketship. "10 West," like so many of the tracks, is quiet and balletic, drawing inspiration from electronic fusion pioneers like Paul Hardcastle.
If G-funk launched Dam-Funk's career, then Toeachizown launches him into the heavens. "The sounds [are] progressive, hood, fantasy, all those things mixed up," he explains. "1982-slash-2022."
Nov. 24, 9 p.m., $22-25
With Warren G, U-N-I
628 Divisadero, SF
Most Commented On
- Good plan Jason - April 17, 2014
- FWJhIjndLFRzAY - April 17, 2014
- AgugARUmQPTMtyAO - April 17, 2014
- SPELL CAST SUCCESSFUL - April 17, 2014
- ZorXKHfMVRAbXjsliWHl - April 17, 2014
- The 1% who show appropriately-inclined political awareness - April 17, 2014
- SUWuATYEkamHLZXbf - April 17, 2014
- Kind of funny how they have - April 17, 2014
- I don't fault her for not - April 17, 2014
- Fair enough. Partial kudos to - April 17, 2014