"Top of the Structure Is Not Empty"

Dozens of edgy choreographers ascend
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Wass and Dalrymple take the floor
Photo by Fred Covarrubias Jr.

PREVIEW The Garage is the kind of tiny, funky, out-of-the-way theater we all thought wouldn't be able to survive the dealings of cutthroat real estate moguls. Fortunately choreographer and arts entrepreneur Joe Landini failed to buy into the pessimism. In 2003 he founded SAFEhouse (Save Art From Extinction) and last year moved his operations into a former garage at 975 Howard Street, a block still industrial enough to have available parking at night. Drawing on his programming experience with the now-defunct Jon Sims Center for the Arts and Shotwell Studios, he has filled the space with events (dance, multimedia, theater, and performance art), workshops, and residencies — including one specifically for the LGBT community. For the first time, the multidisciplinary space hosts SAFEhouse's third Summer Performance Fest. Through August 28, Landini presents more than two dozen choreographers in shared evenings of edgy new works that should satisfy any aficionado wanting to take the pulse of the city. Top of the Structure Is Not Empty, with choreography by Rebecca Bryant, Cathie Caraker, Kelly Dalrymple, Sonshereé Giles, Hope Mohr, Don Nichols, Jerry Smith, and Andrew Wass opens the series. What do these ever-so-different-from-each-other artists have in common? They all investigate ideas on plagiarism and authorship in their work. Expect to see references to Trisha Brown, Miguel Gutierrez, Mark Morris, Nijinsky, Steve Paxton, Yvonne Rainer, Max Roach, and Meg Stuart.

TOP OF THE STRUCTURE IS NOT EMPTY Fri/11–Sat/12, 8 p.m. The Garage, 975 Howard, SF. $10–$20. (415) 885-4006, www.975howard.com, brownpapertickets.com

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